1Z0-001 HP0-634 1Z0-854 JN0-331 ST0-130 HP2-T31 1Z0-507 P_SD_64 GB0-180 A2010-564 C2090-913 HP2-K18 C2180-270 000-433 351-018 920-345 000-745 000-191 070-545-VB 70-346 ITIL-F-CHS HP2-B103 SD0-302 920-232 642-426 HP2-B100 LOT-917 000-210 070-506-VB 70-158 MB4-641 920-252 000-995 000-M10 000-280 310-810 ST0-025 9A0-150 1Z0-517 HP0-728 TT0-101 920-807 50-632 TB0-105 310-045 000-235 000-992 350-040 270-551 C2010-565 920-344 E20-011 C2090-735 350-024 074-325J 1Y0-A25 HIT-001 070-225 HP2-H25 1Z0-204 000-268 CAT-160 000-M23 000-M220 E20-016 000-386 HP0-921 1Z0-889 HP2-B27 920-533 JK0-U11 CUR-011 1Y0-A20 70-515 1Z0-532 Museum of Decorative Arts in Prague
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Fabric of Fashion) The publication on contemporary textile design and fashion from the Great Britain was issued in cooperation with the British Council to accompany the exhibition in the Museum of Decorative Arts in Prague, February – April, 2002.
Josef Sudek: Prag panoramique / Prague Panoramic) Panoramic image became Josef Sudek’s natural means of capturing the world around him. It is this particular facet of his artistic legacy that is viewed today as his most impressive one. In 1959, they were published in Praha panoramatická (Prague Panoramas, Prague 1959), which is as one of the landmarks of world photography. Originally, the author had intended to create a large cycle of images capturing especially the city’s periphery, the slums on the edge of town. Although he was intrigued by “regal Prague“ with its innumerable historical places and monuments, in his heart he was drawn to the outskirts of the metropolis, where rows of derelict houses inhabited by workers, as well as factory courtyards, meshed with the dust-ridden countryside.
Vidrio Español del Museo de Artes Decorativas in Praga) The UPM holds a unique collection of 16th- to 18th-century Spanish glass, with its most valuable examples shown in 2002 in La Granja de San Ildefonso, near Segovia. Some of the glass vessels from the Prague collection had been produced in the former glassworks Real Fábrica de Cristales de La Granja, now the seat of the glass museum Museo Tecnológico del Vidrio. After the glassworks was established, glassmakers from Germany, France and the Kingdom of Bohemia flocked to it. Pavel Štěpánek, a specialist in Hispanic studies, finds further parallels between Bohemian and Spanish glass production in glass-making techniques and types of decoration. Contacts between Spanish and Bohemian glass production were enhanced by the intensive trade between the Kingdom of Spain and the Bohemian lands. The catalogue was issued by the Fundación Centro Nacional del Vidrio and Ministerio de Educación Cultura y Deporte (Spain) in cooperation with the Museum of Decorative Arts in Prague to accompany the exhibition in the Real Fábrica de Cristales de la Grancha, May 2002 – January 2003.
Danner-Preis '02: Lebendig & zeitlos / Vivid & Timeless) Kunsthandwerk im 21. Jahrhundert / Craft in the 21st Century The German-English catalogue presents works created by the Danner-Preis 02 competitors. Since 1984 the Munich-based Benno and Therese Danner Art Foundation (Danner-Stiftung) announces a triennial competition that is one of the most prestigious award-granting events in the field of European decorative arts. Based on strict criteria, an international jury selected objects made in a variety of media: jewellery, ceramics, glass, metal, wood, textile, paper and stone. Fifty-two artists were selected from 230 competitors. The common denominator of the Danner-Preis 02 entries are the concepts “vivid” and “timeless”. The competitors are both experienced masters in their respective fields and young artists noteworthy for their innovative formal solutions. The catalogue was issued to accompany the Danner-Preis 02 competition and the exhibition held in the Museum of Decorative Art in Prague, November 2002–February 2003.