642-874 74-678 70-243 hp2-z33 070-642 c2090-610 642-997 98-365 adm-201 aws-sysops 070-488 tk0-201 og0-093 300-135 ex0-005 70-347 300-101 icgb 3002 4a0-m01 c_tadm51_731 c_tscm62_66 640-875 mb6-703 pmi-sp icbb 1z0-808 300-320 1z0-052 70-466 itilfnd iia-cia-part3 c4090-971 400-101 cwna-106 1z0-803 9l0-012 70-448 mb2-704 640-722 070-347 412-79 2v0-620 hp2-z34 jn0-360 hp2-z31 070-411 1z0-061 400-051 pr000041 hp0-s42 070-412 hp2-b115 1z0-434 642-999 70-465 cissp 1y0-301 c2180-401 hp2-z12 mb6-704 ns0-157 070-486 300-115 mb5-705 640-864 642-889 70-488 352-001 070-483 cbap 2v0-621d 640-554 pmp 350-018 700-701 hp5-b04d 1z0-060 300-208 101 640-916 n10-006 70-341 9l0-422 700-501 1z0-053 70-480 jn0-660 70-410 070-461 a00-211 iia-cia-part1 70-487 c4040-252 300-206 hp0-s41 hp0-d31 220-802 70-687 98-367 210-260 tb0-123 1y0-201 70-462 ccd-410 200-120 dev-401 1v0-601 010-111 og0-091 070-487 1z0-062 hp0-a116 100-101 sk0-003 70-980 cca-500 2v0-621 70-417 cism 220-801 cisa 646-365 640-692 lx0-103 070-246 70-483 70-486 ex300 102-400 210-060 640-911 642-737 400-201 70-331 1z0-051 hp2-h35 500-260 hp0-y51 mb2-708 e10-001 pmi-rmp 101-400 070-480 70-533 300-070 98-349 cas-002 hp0-j73 c4040-251 pegacsa71v1 n10-005 700-039 sy0-401 70-463 642-980 jn0-102 e20-690 070-410 350-080 mb2-707 700-260 70-467 070-465 e05-001 70-413 312-49v8 98-364 prince2-foundation 1z0-804 1z0-047 vmce_v8 70-414 mb2-701 1z0-067 200-310 70-346 ex200 300-209 mb6-702 810-401 70-685 ns0-101 70-534 700-280 642-998 642-437 70-412 c_tfin52_66 70-532 1z0-133 p2080-099 itil c4040-250 810-403 70-662 1y0-400 ax0-100 300-075 70-461 70-411

Museum of Decorative Arts in Prague
2016) 2015) 2014) 2013) 2012) 2011) 2010) 2009) 2008) 2007) 2006) 2005) 2004) 2003) 2002) 2001) 2000) 1999) 1998) 1997) 1996) 1990) by name)
El espectáculo en Praga 1900–1938) The book was published to accompany an exhibition of posters advertising entertainment in Prague, housed in UPM’s collections, an event that UPM prepared for the MuVIM museum in Valencia. The book traces the history of this type of posters from 1900 to 1930, as Prague gradually changed from a provincial town into a modern, self-confident city and eventually the capital of an independent state. Posters in particular offer a unique testimony to this transformation: lithographic posters became an ubiquitous feature of turn-of-the century Prague’s streets and alleys, which was later than in Paris, London and New York, but almost simultaneously as in the monarchy’s capital Vienna. The posters showcase different forms of entertainment in Prague of those days, including night clubs, various festivals, balls and soirées organized by clubs and civic associations, as well as circus and magic shows and, last but not least, the film industry. With a few exceptions, the era of the pictorial poster ended in 1930 with the onset of the Depression.
Memories Returned) Memories Returned: Jewish property at the Museum of Decorative Arts, Prague Návraty paměti: Deponáty židovského majetku v Uměleckoprůmyslovém museu v Praze It was published by Tilia and the Institute for Contemporary History, Academy of Sciences of the Czech Republic (Documentation Centre for Property Transfers of Cultural Assets of World War II Victims). The related exhibition was on view in the Museum of Decorative Arts in Prague from June 27 to September 28, 2009. It was an accompanying event to the Holocaust Era Assets Conference, held from June 26–30, 2009, in Prague and Terezín.
Flowers in the Dustbin - Society and Fashion in Czechoslovakia in the Seventies) A publication by Konstantina Hlaváčková, with an introduction by Pavel Kosatík, recalls the key events of the seventies and their effects on the fashion and lifestyle of the people of the western world and the former Czechoslovakia.
Ornamental Prints / Ornamentstiche / Ornamentální rytiny) The book was prepared by the Museum of Decorative Arts in Prague, Kunstbibliothek Berlin and Museum für angewandte Kunst Wien on the occasion of the completion of the international project entitled Ornamental Prints supported by the EU – Culture 2000 programme. These three institutions created on-line database of their ornamental print collections: www.ornamentalprints.eu.
Beastly Show - Cross-polination in the Art of M. Cihlář and V. Richterová) The volume introduces a selection from the artists’ works inspired the animal realm. On 128 pages and in 335 reproductions of animals arranged in alphabetical order according to their names, the authored book prepared by Michal Cihlář (the author of the book concept, graphic design and most of the photographs) documents Cihlář’s applied graphic design and individual prints, as well as Richterová’s sculptures fashioned from traditional as well as new sculptural materials, such as PET bottles.
Czech Glass 1945—1980: Design in an Age of Adversity and Illusion) Through a representative selection of glass, the Czech-language publication presents to the readers a period of turmoil, when art glass gradually extricated itself from its largely utilitarian and decorative functions. In this process, Czech glass designers and artists played a revolutionary role, which left an indelible mark on the world glass movement. The illustrations are mostly examples from the glass collection in the possession of the Steinberg Foundation in Luxembourg.
Japanese Poster – Today. From the DNP Archives of Graphic Design / Japanische Plakate - Heute) The catalogue presents contemporary Japanese posters by more than twenty foremost designers. There are the works of young graphic artists, who entered the scene in the 1980s and 1990s as well as of the earlier “generation of masters”, aligned with the creative pursuits of the famed JAAC – Japan Advertising Artists Club. The distinctive aesthetics of Japanese graphic design has been admired over many decades, winning awards at prestigious international venues. The works of Japanese graphic designers are noted for their resourcefulness, powerful visual expression and extraordinary printing sophistication.