A2180-270 HP0-J24 220-301 642-357 HP2-T28 1Z0-259 920-255 A2090-610 1Z0-023 922-111 HIO-301 70-450 HP0-J45 M2040-725 250-502 000-M221 HP0-J18 000-634 050-690 000-575 250-300 000-646 3X0-202 000-883 000-563 1Y0-118 000-190 EC0-350 C2080-470 920-124 HP0-402 9L0-505 650-294 MB6-507 MSC-122 9A0-055 EX0-112 1Z1-543 HP2-E49 LOT-442 070-460 1Z0-610 C2090-611 CBAP HP0-J16 ITIL-F 0B0-108 117-201 C2040-929 000-881 HP0-093 922-109 MB6-817 E20-005 70-416 1Z1-109 A2150-006 EX0-118 MB3-210 070-671 A2180-178 642-143 70-545-Csharp 000-274 650-178 COG-132 EE0-511 BAS-012 C2020-001 70-305 A2090-730 642-617 1Z0-862 C2150-563 CX-310-345 070-178 1Z1-535 C2150-139 920-106 ST0-192 000-513 UM0-411 77-888 700-302 HP0-A08 070-663 310-025 A2180-184 1Z1-878 HP0-J34 Museum of Decorative Arts in Prague
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Metamorphosis of Fibre: Personalities of Czech Lace during the Second Half of the 20th Century) The conception of lace began to radically change in the late 1950´s. It completely departed from its traditional function and became a three-dimensional monumental piece. The innovative, artistically independent approach towards lace, connected with perfect knowledge of clasic techniques, had encouraged a rich creation of three generations of female artists. Their contribution to the development in the world has been proven many times by the receipt of awards at international exhibitions - the firs award at Expo in Brussels 1958, later Expo in Montreal 1967 and to a number of awards form the International Lace Biennial in Brussels. Now the artists are being sought a new approach to lace only with difficulties. The publication was issued to accompany the exhibition in the Museum of Decorative Arts in Prague, July – August, 2004.
František Drtikol: Photographs from the Years 1918–1935) The book offers a selection from Drtikol’s oeuvre dated to between 1918 and 1935, showcasing other fascinating facets of Drtikol’s artistic legacy beside his classic works. The publication is a continuation of “František Drtikol: Photographs from 1901-1914” and the album entitled “From Large and Little Courtyards of Old Prague”, prepared by UPM in collaboration with Fondation Neumann of Switzerland in 1999. After World War I, having exhausted Art Nouveau themes, Drtikol embraced a new, distinctive artistic idiom that brought him to geometric compositions in the early 1920s. These images culminated in photographs implementing architectural elements, which gradually became a balanced component of his “still-life” photos, alongside his nudes. In the 1930s, he created a series of photographs, in which he supplanted the live model with staged silhouettes of paper figurines, combined with compelling lighting effects. According to the artist, by stylizing female proportions, “…I idealized the body and created a type of my own”. The final stage of Drtikol’s creative career was influenced by his interest in philosophy, Christian faith and Buddhism. A collection of photographs was produced along these lines, with purely abstract forms. The publication was issued to accompany the exhibition in the Museum of Decorative Arts in Prague, March – June, 2004.