High-quality examination questions

70-494 1Z0-434 CAS-002 500-260 700-039 74-678 1Z0-599 010-151 400-201 70-341 70-385 300-080 70-483 1Z0-808 M270-740 210-060 CBAP 101 exam 70-534 642-996 exam 70-981 102-400 70-697 350-018 1Z0-821 400-051 70-243 CISA 300-085 200-105 300-208 70-411 70-480 NS0-157 CCA-500 648-244 Exam MB5-705 300-209 70-465 400-101 Exam 642-980 Exam 300-206 Exam NSE7 CQA 200-601 700-037 642-887 300-320 210-451 EX300 70-469 300-70 70-346 OG0-093 100-105 EX200 600-199 1K0-001 200-310 210-065 70-486 101-01 642-732 RCDD IIA-CGAP LX0-104 M70-201 400-351 MB6-703 NSE4 DEV-401 Exam VCS-273 HP0-S41 GCIH 70-466 Exam

Museum of Decorative Arts in Prague
Dana Vachtová’s drawings from the late 1950s and the first half of the 1960s are a seemingly short and forgotten evidence of the artist’s early period, however, from today’s point of view they play a surprisingly important role. Not only for their integrity and thoroughly-developed final form in which spontaneity merges with the need of simple construction, since they do not represent a mere search or a sketch for her later works but they already were a self-contained definition of issues related to form and space. A similar approach to these issues is apparent in her later works both in her treatment of classical sculptural material and in her glass objects. The drawings even suggest some of her subjects – distinctly figural drawings dealing with the relationship between body and space, they anticipate her polished aluminium or bronze sculptures, while the series Elements refers to glass. The drawings polarize mainly the relation to matter – simple and simultaneously dramatic architecture of figures is confronted with forms capturing changes, moments of birth, flow, often with elementary geometrical forms and surfaces. Dana Vachtová’s approach to sculptural expression was influenced by Josef Kaplický’s sculptures as well as his way of thinking and it also stems from the orientation of the entire contemporary generation on Modernism (especially the work of Henri Moore); the leading figures changing the context at that time were artists of the Informel, known from the exhibitions entitled Confrontations in the 1960s.

In her drawings from the first half of the sixties Dana Vachtová reveals other subject-matters perceptible in the series of several unique drawings entitled later Landscape/Space.These drawings in fact lead to painting and freed from sculptural perspective they form their own specific vocabulary. Here her drawing reaches the peak of its possibilities but at the same time reaches its end.

(Jan Rous)

Galerie Pokorná
Šafaříkova 3, Praha 2
http://www.galeriepokorna.cz/ )


Dana Vachtová: "Object" , 1972, sand-blasted glass, H. 60, 5, Museum of Decorative Arts in Prague collection, inv.No. 77.372, photo by Gabriel Urbánek
permanent display) 2019) 2018) 2017) 2016) 2015) 2014) 2013) 2012) 2011) 2010) 2009) 2008) 2007) 2006) 2005) 2004)
Matchbox) Two Phenomena of...) Path of New...) Alberto Vojtěch...) BRAVOS –...) All the Best!...) Hommage à...) From Neuwelt to...) Josef Sudek: From...) Jiří...) Artists’ Books on...) Alois Zych:...) Dana Vachtová’s...) Prague Fashion...) Ota Hájek:...) In Search of Glass)