1Z0-001 HP0-634 1Z0-854 JN0-331 ST0-130 HP2-T31 1Z0-507 P_SD_64 GB0-180 A2010-564 C2090-913 HP2-K18 C2180-270 000-433 351-018 920-345 000-745 000-191 070-545-VB 70-346 ITIL-F-CHS HP2-B103 SD0-302 920-232 642-426 HP2-B100 LOT-917 000-210 070-506-VB 70-158 MB4-641 920-252 000-995 000-M10 000-280 310-810 ST0-025 9A0-150 1Z0-517 HP0-728 TT0-101 920-807 50-632 TB0-105 310-045 000-235 000-992 350-040 270-551 C2010-565 920-344 E20-011 C2090-735 350-024 074-325J 1Y0-A25 HIT-001 070-225 HP2-H25 1Z0-204 000-268 CAT-160 000-M23 000-M220 E20-016 000-386 HP0-921 1Z0-889 HP2-B27 920-533 JK0-U11 CUR-011 1Y0-A20 70-515 1Z0-532 Museum of Decorative Arts in Prague
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Metamorphosis of Fibre: Personalities of Czech Lace during the Second Half of the 20th Century) The conception of lace began to radically change in the late 1950´s. It completely departed from its traditional function and became a three-dimensional monumental piece. The innovative, artistically independent approach towards lace, connected with perfect knowledge of clasic techniques, had encouraged a rich creation of three generations of female artists. Their contribution to the development in the world has been proven many times by the receipt of awards at international exhibitions - the firs award at Expo in Brussels 1958, later Expo in Montreal 1967 and to a number of awards form the International Lace Biennial in Brussels. Now the artists are being sought a new approach to lace only with difficulties. The publication was issued to accompany the exhibition in the Museum of Decorative Arts in Prague, July – August, 2004.
František Drtikol: Photographs from the Years 1918–1935) The book offers a selection from Drtikol’s oeuvre dated to between 1918 and 1935, showcasing other fascinating facets of Drtikol’s artistic legacy beside his classic works. The publication is a continuation of “František Drtikol: Photographs from 1901-1914” and the album entitled “From Large and Little Courtyards of Old Prague”, prepared by UPM in collaboration with Fondation Neumann of Switzerland in 1999. After World War I, having exhausted Art Nouveau themes, Drtikol embraced a new, distinctive artistic idiom that brought him to geometric compositions in the early 1920s. These images culminated in photographs implementing architectural elements, which gradually became a balanced component of his “still-life” photos, alongside his nudes. In the 1930s, he created a series of photographs, in which he supplanted the live model with staged silhouettes of paper figurines, combined with compelling lighting effects. According to the artist, by stylizing female proportions, “…I idealized the body and created a type of my own”. The final stage of Drtikol’s creative career was influenced by his interest in philosophy, Christian faith and Buddhism. A collection of photographs was produced along these lines, with purely abstract forms. The publication was issued to accompany the exhibition in the Museum of Decorative Arts in Prague, March – June, 2004.