70-573-Csharp 70-461 0B0-101 70-528 C4070-SS1 C90-06A 000-569 642-342 1Z0-807 EE0-600 77-882 1Z0-630 1Z0-554 HP0-500 070-689 A2040-923 000-SS1 70-523-Csharp 1Y0-310 000-619 642-145 RDCR08301 3X0-104 1Z0-860 C2170-051 MB3-530 9A0-034 FCGIT 920-165 250-924 642-566 CA1-001 642-444 70-238 310-110 000-422 70-467 310-610BIG5 50-695 70-599 650-026 77-601 E20-825 QQ0-200 510-022 000-257 C2040-442 COG-200 000-M196 9A0-095 3X0-101 1Z0-055 650-177 HC-832-CHS 9A0-079 70-502-Csharp HP0-M47 ICDL-NET 1Z1-213 000-379 HP0-345 220-302 000-736 000-169 HP0-P13 HP0-S36 000-748 644-337 310-878 E20-405 090-055 70-685J 50-692 Museum of Decorative Arts in Prague
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Metamorphosis of Fibre: Personalities of Czech Lace during the Second Half of the 20th Century) The conception of lace began to radically change in the late 1950´s. It completely departed from its traditional function and became a three-dimensional monumental piece. The innovative, artistically independent approach towards lace, connected with perfect knowledge of clasic techniques, had encouraged a rich creation of three generations of female artists. Their contribution to the development in the world has been proven many times by the receipt of awards at international exhibitions - the firs award at Expo in Brussels 1958, later Expo in Montreal 1967 and to a number of awards form the International Lace Biennial in Brussels. Now the artists are being sought a new approach to lace only with difficulties. The publication was issued to accompany the exhibition in the Museum of Decorative Arts in Prague, July – August, 2004.
František Drtikol: Photographs from the Years 1918–1935) The book offers a selection from Drtikol’s oeuvre dated to between 1918 and 1935, showcasing other fascinating facets of Drtikol’s artistic legacy beside his classic works. The publication is a continuation of “František Drtikol: Photographs from 1901-1914” and the album entitled “From Large and Little Courtyards of Old Prague”, prepared by UPM in collaboration with Fondation Neumann of Switzerland in 1999. After World War I, having exhausted Art Nouveau themes, Drtikol embraced a new, distinctive artistic idiom that brought him to geometric compositions in the early 1920s. These images culminated in photographs implementing architectural elements, which gradually became a balanced component of his “still-life” photos, alongside his nudes. In the 1930s, he created a series of photographs, in which he supplanted the live model with staged silhouettes of paper figurines, combined with compelling lighting effects. According to the artist, by stylizing female proportions, “…I idealized the body and created a type of my own”. The final stage of Drtikol’s creative career was influenced by his interest in philosophy, Christian faith and Buddhism. A collection of photographs was produced along these lines, with purely abstract forms. The publication was issued to accompany the exhibition in the Museum of Decorative Arts in Prague, March – June, 2004.