A2180-270 HP0-J24 220-301 642-357 HP2-T28 1Z0-259 920-255 A2090-610 1Z0-023 922-111 HIO-301 70-450 HP0-J45 M2040-725 250-502 000-M221 HP0-J18 000-634 050-690 000-575 250-300 000-646 3X0-202 000-883 000-563 1Y0-118 000-190 EC0-350 C2080-470 920-124 HP0-402 9L0-505 650-294 MB6-507 MSC-122 9A0-055 EX0-112 1Z1-543 HP2-E49 LOT-442 070-460 1Z0-610 C2090-611 CBAP HP0-J16 ITIL-F 0B0-108 117-201 C2040-929 000-881 HP0-093 922-109 MB6-817 E20-005 70-416 1Z1-109 A2150-006 EX0-118 MB3-210 070-671 A2180-178 642-143 70-545-Csharp 000-274 650-178 COG-132 EE0-511 BAS-012 C2020-001 70-305 A2090-730 642-617 1Z0-862 C2150-563 CX-310-345 070-178 1Z1-535 C2150-139 920-106 ST0-192 000-513 UM0-411 77-888 700-302 HP0-A08 070-663 310-025 A2180-184 1Z1-878 HP0-J34 Museum of Decorative Arts in Prague
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Vojtěch Preissig: For the Republic!) Vojtěch Preissig, a prominent Czech artist of the early 20th century, devoted his art and craftsmanship in graphic design to courageous service to his nation. He designed number of posters, brochures, leaflets, prints, designs and printing plates during the first and second resistance. The core of the collection consists of a number of legionary recruitment posters, exceptional in the world in terms of their artistic qualities, impressiveness and sophisticated expression. Preissig made in his workplace at Wentworth Institute in Boston also posters for the American army and other printed materials as well as designs of the Czechoslovak flag.
The Language of Fibers – The Moravian Tapestry Manufactory in Valašské Meziříčí 1898–1938) The publication offers a new look at the beginnings of production in the Moravian Tapestry Manufactory, one that contextualizes the age, artistic trends and cultural relations of the early twentieth century. The names of the architects and designers discussed in the book (Jan Kotěra, Dušan Jurkovič, Hanuš Schweiger, among others) suggest that this is not merely a historical account of and isolated tapestry establishment, but rather an enriching insight into Czech textile art created between 1898 and 1938.
Biedermeier: Art and Culture in the Bohemian Lands 1814–1848. Exhibition Guide) Biedermeier – the lifestyle as well as artistic style of the first half of the nineteenth century – was created by aristocracy and wealthy bourgeoisie, and gradually affected all strata of society. In the spirit of emerging civil society it was professing the ideals of practicality and simplicity, discovering the charm of everyday objects and pleasures as well as the beauty of nature and natural materials. Characteristic features of Biedermeier – the restrained elegance and straightforwardness – echoed the general modernisation of society and had come to embody the foreshadowing of modern design.