A2180-270 HP0-J24 220-301 642-357 HP2-T28 1Z0-259 920-255 A2090-610 1Z0-023 922-111 HIO-301 70-450 HP0-J45 M2040-725 250-502 000-M221 HP0-J18 000-634 050-690 000-575 250-300 000-646 3X0-202 000-883 000-563 1Y0-118 000-190 EC0-350 C2080-470 920-124 HP0-402 9L0-505 650-294 MB6-507 MSC-122 9A0-055 EX0-112 1Z1-543 HP2-E49 LOT-442 070-460 1Z0-610 C2090-611 CBAP HP0-J16 ITIL-F 0B0-108 117-201 C2040-929 000-881 HP0-093 922-109 MB6-817 E20-005 70-416 1Z1-109 A2150-006 EX0-118 MB3-210 070-671 A2180-178 642-143 70-545-Csharp 000-274 650-178 COG-132 EE0-511 BAS-012 C2020-001 70-305 A2090-730 642-617 1Z0-862 C2150-563 CX-310-345 070-178 1Z1-535 C2150-139 920-106 ST0-192 000-513 UM0-411 77-888 700-302 HP0-A08 070-663 310-025 A2180-184 1Z1-878 HP0-J34 Museum of Decorative Arts in Prague
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Fabric of Fashion) The publication on contemporary textile design and fashion from the Great Britain was issued in cooperation with the British Council to accompany the exhibition in the Museum of Decorative Arts in Prague, February – April, 2002.
Josef Sudek: Prag panoramique / Prague Panoramic) Panoramic image became Josef Sudek’s natural means of capturing the world around him. It is this particular facet of his artistic legacy that is viewed today as his most impressive one. In 1959, they were published in Praha panoramatická (Prague Panoramas, Prague 1959), which is as one of the landmarks of world photography. Originally, the author had intended to create a large cycle of images capturing especially the city’s periphery, the slums on the edge of town. Although he was intrigued by “regal Prague“ with its innumerable historical places and monuments, in his heart he was drawn to the outskirts of the metropolis, where rows of derelict houses inhabited by workers, as well as factory courtyards, meshed with the dust-ridden countryside.
Vidrio Español del Museo de Artes Decorativas in Praga) The UPM holds a unique collection of 16th- to 18th-century Spanish glass, with its most valuable examples shown in 2002 in La Granja de San Ildefonso, near Segovia. Some of the glass vessels from the Prague collection had been produced in the former glassworks Real Fábrica de Cristales de La Granja, now the seat of the glass museum Museo Tecnológico del Vidrio. After the glassworks was established, glassmakers from Germany, France and the Kingdom of Bohemia flocked to it. Pavel Štěpánek, a specialist in Hispanic studies, finds further parallels between Bohemian and Spanish glass production in glass-making techniques and types of decoration. Contacts between Spanish and Bohemian glass production were enhanced by the intensive trade between the Kingdom of Spain and the Bohemian lands. The catalogue was issued by the Fundación Centro Nacional del Vidrio and Ministerio de Educación Cultura y Deporte (Spain) in cooperation with the Museum of Decorative Arts in Prague to accompany the exhibition in the Real Fábrica de Cristales de la Grancha, May 2002 – January 2003.
Danner-Preis '02: Lebendig & zeitlos / Vivid & Timeless) Kunsthandwerk im 21. Jahrhundert / Craft in the 21st Century The German-English catalogue presents works created by the Danner-Preis 02 competitors. Since 1984 the Munich-based Benno and Therese Danner Art Foundation (Danner-Stiftung) announces a triennial competition that is one of the most prestigious award-granting events in the field of European decorative arts. Based on strict criteria, an international jury selected objects made in a variety of media: jewellery, ceramics, glass, metal, wood, textile, paper and stone. Fifty-two artists were selected from 230 competitors. The common denominator of the Danner-Preis 02 entries are the concepts “vivid” and “timeless”. The competitors are both experienced masters in their respective fields and young artists noteworthy for their innovative formal solutions. The catalogue was issued to accompany the Danner-Preis 02 competition and the exhibition held in the Museum of Decorative Art in Prague, November 2002–February 2003.