70-573-Csharp 70-461 0B0-101 70-528 C4070-SS1 C90-06A 000-569 642-342 1Z0-807 EE0-600 77-882 1Z0-630 1Z0-554 HP0-500 070-689 A2040-923 000-SS1 70-523-Csharp 1Y0-310 000-619 642-145 RDCR08301 3X0-104 1Z0-860 C2170-051 MB3-530 9A0-034 FCGIT 920-165 250-924 642-566 CA1-001 642-444 70-238 310-110 000-422 70-467 310-610BIG5 50-695 70-599 650-026 77-601 E20-825 QQ0-200 510-022 000-257 C2040-442 COG-200 000-M196 9A0-095 3X0-101 1Z0-055 650-177 HC-832-CHS 9A0-079 70-502-Csharp HP0-M47 ICDL-NET 1Z1-213 000-379 HP0-345 220-302 000-736 000-169 HP0-P13 HP0-S36 000-748 644-337 310-878 E20-405 090-055 70-685J 50-692 Museum of Decorative Arts in Prague
2015) 2014) 2013) 2012) 2011) 2010) 2009) 2008) 2007) 2006) 2005) 2004) 2003) 2002) 2001) 2000) 1999) 1998) 1997) 1996) 1990) by name)
Fabric of Fashion) The publication on contemporary textile design and fashion from the Great Britain was issued in cooperation with the British Council to accompany the exhibition in the Museum of Decorative Arts in Prague, February – April, 2002.
Josef Sudek: Prag panoramique / Prague Panoramic) Panoramic image became Josef Sudek’s natural means of capturing the world around him. It is this particular facet of his artistic legacy that is viewed today as his most impressive one. In 1959, they were published in Praha panoramatická (Prague Panoramas, Prague 1959), which is as one of the landmarks of world photography. Originally, the author had intended to create a large cycle of images capturing especially the city’s periphery, the slums on the edge of town. Although he was intrigued by “regal Prague“ with its innumerable historical places and monuments, in his heart he was drawn to the outskirts of the metropolis, where rows of derelict houses inhabited by workers, as well as factory courtyards, meshed with the dust-ridden countryside.
Vidrio Español del Museo de Artes Decorativas in Praga) The UPM holds a unique collection of 16th- to 18th-century Spanish glass, with its most valuable examples shown in 2002 in La Granja de San Ildefonso, near Segovia. Some of the glass vessels from the Prague collection had been produced in the former glassworks Real Fábrica de Cristales de La Granja, now the seat of the glass museum Museo Tecnológico del Vidrio. After the glassworks was established, glassmakers from Germany, France and the Kingdom of Bohemia flocked to it. Pavel Štěpánek, a specialist in Hispanic studies, finds further parallels between Bohemian and Spanish glass production in glass-making techniques and types of decoration. Contacts between Spanish and Bohemian glass production were enhanced by the intensive trade between the Kingdom of Spain and the Bohemian lands. The catalogue was issued by the Fundación Centro Nacional del Vidrio and Ministerio de Educación Cultura y Deporte (Spain) in cooperation with the Museum of Decorative Arts in Prague to accompany the exhibition in the Real Fábrica de Cristales de la Grancha, May 2002 – January 2003.
Danner-Preis '02: Lebendig & zeitlos / Vivid & Timeless) Kunsthandwerk im 21. Jahrhundert / Craft in the 21st Century The German-English catalogue presents works created by the Danner-Preis 02 competitors. Since 1984 the Munich-based Benno and Therese Danner Art Foundation (Danner-Stiftung) announces a triennial competition that is one of the most prestigious award-granting events in the field of European decorative arts. Based on strict criteria, an international jury selected objects made in a variety of media: jewellery, ceramics, glass, metal, wood, textile, paper and stone. Fifty-two artists were selected from 230 competitors. The common denominator of the Danner-Preis 02 entries are the concepts “vivid” and “timeless”. The competitors are both experienced masters in their respective fields and young artists noteworthy for their innovative formal solutions. The catalogue was issued to accompany the Danner-Preis 02 competition and the exhibition held in the Museum of Decorative Art in Prague, November 2002–February 2003.