A2180-270 HP0-J24 220-301 642-357 HP2-T28 1Z0-259 920-255 A2090-610 1Z0-023 922-111 HIO-301 70-450 HP0-J45 M2040-725 250-502 000-M221 HP0-J18 000-634 050-690 000-575 250-300 000-646 3X0-202 000-883 000-563 1Y0-118 000-190 EC0-350 C2080-470 920-124 HP0-402 9L0-505 650-294 MB6-507 MSC-122 9A0-055 EX0-112 1Z1-543 HP2-E49 LOT-442 070-460 1Z0-610 C2090-611 CBAP HP0-J16 ITIL-F 0B0-108 117-201 C2040-929 000-881 HP0-093 922-109 MB6-817 E20-005 70-416 1Z1-109 A2150-006 EX0-118 MB3-210 070-671 A2180-178 642-143 70-545-Csharp 000-274 650-178 COG-132 EE0-511 BAS-012 C2020-001 70-305 A2090-730 642-617 1Z0-862 C2150-563 CX-310-345 070-178 1Z1-535 C2150-139 920-106 ST0-192 000-513 UM0-411 77-888 700-302 HP0-A08 070-663 310-025 A2180-184 1Z1-878 HP0-J34 Museum of Decorative Arts in Prague
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Eugen Wiškovský) Fototorst edition The oeuvre of the Czech avant-garde photographer Eugen Wiškovský (1888-1964) is not great in terms of number or thematic scope, but in its originality, conceptual depth and formal mastery. In his early works made in the style of New Objectivity, Wiškovský sought visually compelling forms in objects seemingly lacking aesthetic qualities, which he manipulated by cut-outs, a change of scale or inventive work with light. In his dynamic, diagonal compositions using unusual angles of shots, he was one of the most radical exponents of Czech Constructivist photography. His landscape photography also boasts great originality. Of equal importance are Wiškovský’s treatises on photography theory, in which he applied aspects from the psychology of forms. A number of the photographs reproduced in the book come from UPM’s collection.
Shapes and Spaces: The Collection of the Museum of Decorative Arts in Prague) For the first time in its history, in the year of its 120th anniversary, the Museum of Decorative Arts in Prague had the opportunity to introduce masterpieces from its collections in Portugal. With an introductory essay by Professor José de Monterroso Teixeira and texts by Daniela Karasová and other UPM curators, the book was published to accompany an exhibition hosted by the Museum of Portuguese Decorative Arts in Lisbon. It features unique objects made of glass, ceramics and porcelain, as well as furniture, jewellery, metals, textiles, clothing and graphic art dating from the Renaissance to the Art Nouveau periods, with a focus on Central Europe. The selection attests to the diversity and wealth of the Prague museum’s collections and documents how decorative art contributed to shaping Central Europe's cultural identity. The publication was issued by the Fundação Ricardo do Espírito Santo Silva, Lisboa in the cooperation with the Museum of Decorative Arts in Prague to accompany the exhibition in the Fundação Ricardo do Espírito Santo Silva, Lisboa, Autumn 2005.
Schloss Klösterle an der Eger: Führer durch die Porzellanaustellung aus der Sammlung des Kunstgewerb) Klášterec n. Ohří Chateau – guide to the permanent exhibition of porcelain from the collections of the Museum of Decorative Arts in Prague. It presents to the readers development of porcelain in the Bohemian Lands, including examples of Chinese and Japanese porcelain.
Never before Seen in Prague) Published to accompany an exhibition of posters advertising Prague entertainment venues, the book traces the years 1900–1930, as Prague gradually changed from a provincial town into a modern, self-confident city and eventually into the capital of an independent state. Poster art is a unique testimonial to this transformation: at the turn of the century, lithographic posters became an integral part of Prague’s streets and alleyways, later than in such metropolises as Paris, London and New York, yet virtually at the same time as the monarchy’s capital Vienna. With some exceptions, the Depression put an end to the era of the pictorial poster in 1930. The posters present diverse forms of entertainment in Prague: night clubs, social functions, balls, soirées organized by various voluntary associations, circus shows and magician performances, and – last but not least – the film industry. The publication was issued by the Municipal House in Prague in cooperation with the Museum of Decorative Arts to accompany the exhibition held in the Municipal House, September 2005 – January 2006.
Clocks and Watches in the Collection of the Museum of Decorative Arts in Prague) The collection of clocks and watches shows changes in time-keeping in particular from the point of view of artistic treatment of clock cases, while documenting the development of the clock mechanism. The horology collection of the Museum of Decorative Arts in Prague is one of the largest and most varied in the Czech Republic in terms of kind as well as artistic design. Whereas the National Technical Museum specializes in the mechanical aspect of clocks, the Museum of Decorative Arts focuses on artistically shaped and decorated items.
Czech Photography of the 20th Century – Guide) It is a comprehensive presentation of the main trends, personalities, and works of Czech photography from 1901 to 2000. Not wanting to show merely works by the most important photographers such as F. Drtikol, J. Sudek, J. Rössler, J. Funke, J. Štyrský, J. Koudelka, J. Svoboda, J. Saudek, J. Štreit, and A. Kratochvíl, the authors have sought to document various creative trends also with photographs by lesser known and sometimes even totally forgotten photographers.
Museum of Decorative Arts in Prague – Guide) A Guide to the permanent exhibition of the Museum of Decorative Arts called "The Stories of Materials" beginning with The Story of Fibre: the textiles and fashion hall, and continues with Time Machines: the clocks and watches hall, The Fire Arts: the glass and ceramics hall, Print and Picture: the hall of graphic design and photography, and The Treasury: the hall of metals and various other materials. There is also information about branches of the Museum, its permanent exhibitions in Prague and elsewhere, and exhibitions in chateaux.